Posts Tagged ‘rock’

Northwich Salt Museum, Part 2

Hello again. It’s Wednesday and time for my guest blogger to take over.

A couple of weeks ago I visited the Weaver Hall Museum in Northwich (Cheshire) as a follow up to the post NaCl (1.8.12). I covered the first part of it in last week’s post – “A Trip Back In Time To The Workhouse”. This one is to cover the salt side. Here’s my salt collection. (The tray map may be familiar to JumeirahJames).

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Before we start, let’s just have a think on something here. You know the chemical formula for salt is NaCl: that means it’s made up from ions of sodium (Na) and chlorine (Cl).

Not that interesting perhaps except if you think back to your school days. Remember those chemistry lab demonstrations that the teacher did to show you the properties of certain elements? Sodium is a metal which reacts violently with water and chlorine is a sickly smelling greenish-yellow gas and yet together they produce a substance which everyone in the world eats, in some form or other and it dissolves easily in water. Strange, hey?

Here is the coat of arms for Northwich with the Latin phrase I mentioned last time, Sal Est Vita (salt is life).

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As an aside, note the symbol on the right of the three flags on the golden ship at the top. The blue & white wavy lines were from the Mond family crest and believed to be the inspiration for the current ICI logo which is so familiar to us today particularly on their tins of paint. (It has two wavy lines with the letters ICI above. ICI was formed by 4 companies in 1926 one of which was Brunner Mond.)

I mentioned the brilliant book by Mark Kurlansky (Salt – A World History) last time; as I entered the museum there on the shelf was the paperback version of the very book. Other subject related books and pamphlets were available and I ended up with 3 of the latter.

The first display boards covered salt production dating back to the Bronze Age and up to the present day. I mentioned Roman involvement and how important access to salt was for their empire building.

Rome itself was located near a source of salt and had a street named Via Salaria (salt road) which was used to transport salt to the city; it also served the salt trade, eventually stretching 150 miles (242kms) north-east to the Adriatic Sea. In Roman times a man in love was called a salax meaning ‘in a salted state’; the ablative case of the noun is salaci which is the root of our word salacious (meaning lustful, lecherous).

Remember the refs in the Bible mentioned in the previous post – here are a couple more:

1. In the book of Leviticus: “And every offering of your grain offering you shall season with salt; you shall not allow the salt of the covenant of your God to be lacking from your grain offering. With all your offering you shall offer salt” (Lev 2:13). Salt was an essential part of worship.

2. In the book of Ezra: “Now because we eat the salt of the palace and it is not fitting for us to witness the king’s dishonour, therefore we send and inform the king, …..” (from ESV version of Bible, 2002) This verse was part of a letter written to King Artaxerxes (ruler of Persia (Iran) from 465BC-424BC).

The inference here is that, for the writers, eating salt (of the palace) meant they were being loyal, law-abiding subjects as opposed to those who ate salt ‘not from the king’s palace’ and therefore not paying the tax included in the price.

At various times through history, rulers around the world have made salt production and its sale a monopoly to generate tax revenue for their governments. You have only to think of the population of the world, presently around the 7 billion mark, to realise the potential in terms of revenue for private companies or governments if they’re involved in a state monopoly.

In 2011, the top four salt producing countries (in order: China, USA, Germany, India) accounted for just over 50% of the world total; UK is 13th in the list producing just 2% of the world total.

Indian salt workers are not well paid and feel trapped in their situation. Saltpan workers in the state of Gujurat which produces 70% of (4th placed) India’s total, say this: “There is a saying here that if you’re a saltpan worker, you have three ways to die: first gangrene, second TB (tuberculosis) or third blindness. In every house, people die this way.” It is not a healthy occupation! Life expectancy is only 50-60 yrs.

The Daily Telegraph newspaper reported in Feb 2010 that, after death, certain parts of the bodies (hands & feet) of Indian saltpan workers are difficult to burn when they are cremated because of the salt content.

A saltpan, in this case, is not a pan like the ones we use in our kitchens; it is a rectangular bed or beds grouped together containing brine which, with heat from the sun, begins to evaporate and form crystals which are then collected by the workers.

Apologies for the digression – back to the Museum and a bit of geology in order to understand why the area became such a centre for salt production.

Northwich’s salt deposits lie in two layers: one is approx 150ft (40m) below the surface, called the Top Bed, and the other 330ft (100m), called the Bottom Bed. Rainwater sinks into the ground and when it reaches the rock salt deposits begins to form brine & eventually brine streams. The deeper the water goes the more saturated (concentrated) it becomes. This water can be as much as 8 times more salty that ordinary sea water – not the sort of water swim in for sure!

Here’s an example of the different grades of salt produced and their uses.

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In Victorian days salt mining, along with many other industrial processes, was very labour intensive.

Here’s a picture of a mine worker and the tub the salt was collected in which was then pushed out on rails. Note the photo in the background: the guys working on the mound are all stripped to the waist as is the man pushing the rail tub. There are three men stood by the tubs in the black & white pic who have white shirts and ties on so it must have been a posed photo with above ground workers at the mine or maybe some local bigwigs on a publicity shoot.

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In the next photo you can see some of the effects of salt mining in the local area. The bottom left photo is rather extraordinary. It demonstrates that the Victorians had been mining far too much salt from the Top Bed without leaving sufficient support to prevent sinkage. Despite the angle the building is leaning at the actual brickwork didn’t give way and the whole building just tilted over. Amazing!

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The next pic is proof that the ‘pun headline’ favoured by our (UK) tabloid newspapers is not a new invention.

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Do you see what they did there with the brand name? Substituted Middle Witch for Middlewich (the town’s name) which is about 7 miles SE of Northwich and a big salt producing area. Remember the “-wich” ending for a place name often means it was a place where salt was produced.

I’m not quite sure how you make salt go “twice as far” other than by halving the amount you use. Maybe what they mean is that you got twice as much for the same price or am I missing something? Also, don’t forget the one penny referred to was in the days when an English pound had 240 of them (not the 100 we have today).

As I reached the end of the tour round the museum I came back to the reception area where the goodies were on display. Apart from the 3 pamphlets I couldn’t resist getting an actual piece of rock salt and here it is.

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And of course I had to wet my finger and touch it and then taste – rather salty I thought. No surprise there then & probably 0/10 for originality! I wasn’t the first and I won’t be the last. At the end of my visit the curator told me of a (free) guided tour at another salt related site not far from the museum. As this has rambled on longer than I expected I’ll do that one next week.

Five voices

It’s Wednesday and time for Rambler5319 to entertain us again…

Remember LLM’s piece on “Songs that remind me of stuff”. I have those as well but I also have artists that stand out in my musical memories. They stand out because they have endured, not necessarily in terms of long life as 2 died in their early thirties, but because I still love and listen to them today.
In 1999 Yes produced an album called The Ladder and track 11 was called “Nine Voices”. I’ve decided to do five of my favourite female voices. I won’t do the biographies, there’s enough on the internet if you want to look them up but a few facts will be included. They are voices, each unique in its own way, which remind me of particular things. Any musical choice will inevitably be personal and bound to divide opinion so I don’t say these are the best five voices in the world EVER. I simply say that these voices had a great effect on me. They have touched and continue to touch my heart today. They are not in order like a top of the charts list; they are more chronological in that this is the order in which they came into my life. Ok so here we go:

1. LESLEY DUNCAN
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Probably an artist few of you will know but one who was a big part of my growing up musical history. I heard a track on the radio and bought the first album. Then I got each new one as it came out. She sang backing vocals for a number of more well-known artists (Donovan, Ringo Starr, Dusty Springfield who also sang on Lesley’s singles, Walker Brothers). If you check out the track listing for Jesus Christ Superstar on Amazon you will see her as one of a number of singers on many of the tracks. She is credited on Pink Floyd’s (1973) Dark Side Of The Moon and here is a pic of the inside of the album cover with her name in the “Backing Vocals” section (with Lesley incorrectly spelt with an ‘ie’ ending rather than the ‘ey’ which she herself used):

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She appears on Elton John’s 3rd album (1970) Tumbleweed Connection. She plays acoustic guitar in a duet with him on her self-penned song, Love Song (Side 2, Track 2). It’s the only non Bernie Taupin/Elton song on the album. She appeared with him in 1974 at The Royal Festival Hall to perform it. According to the Guardian newspaper, it was covered by more than 150 artists (including Olivia Newton-John, David Bowie and Barry White)! It’s worth checking out the lyrics to Love Song. (Also on YouTube.) Elton played piano on Lesley’s first album Sing Children Sing in 1971. Unfortunately she made only the 5 albums you can see in the picture but her voice was very special for me. She died fairly recently, on the Isle of Mull, (her home since 1996), in March 2010 aged 66. The Guardian, in its obituary, said this:
“Her songs had an astonishing emotional depth and her voice a rare combination of warmth and clarity, bringing an intimacy to the experience of listening to her records. For those who discovered her music in the early 1970s, she stood out from all the other pop and rock of the era.” (March 23, 2010).

2. KAREN CARPENTER
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Interesting the group was called “Carpenters”: there is no “The” in the official name. Karen was initially a drummer in the duo with her brother Richard on piano. She was quite happy to play the drums and sing whilst doing it. She didn’t want to be “out front” but folks wanted more of her – her voice: a contralto voice that spanned 3 octaves. She was forced to reconsider. Eventually she played the drums less and less. I’ve got just the one album of Greatest Hits but what a voice. She was noted for her low range and Richard would adapt songs (& covers) to fit it. Just listen to the way she can hold the notes she sings. Out of the 5 here hers has to be the purest voice and who can fail to be moved by some of those famous songs: Yesterday Once More, Hurting Each Other, Close to You and the ubiquitous We’ve Only Just Begun played at so many weddings around the world. Died a month short of her 33rd birthday from anorexia. Very sad.

3. JONI MITCHELL
I suppose she is remembered, by most people, for her single Big Yellow Taxi (1970) and the rather silly laugh at the end of the song. However, over the last 44 years, she has produced many albums. My collection, of just some of them, is in the pic below:
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Hers is a voice that has sung in many different styles with a uniqueness that no-one has come close to imitating. Some of Kate Bush’s songs do give a feel of her style. Joni has ploughed her own furrow not allowing people to be able to pigeon-hole her and constantly changing. Once again a voice I heard and bought one album and then began to add to as the years went by. A very unusual voice and variety of singing styles and unusual cadences make her one of my top five voices.

4. SANDY DENNY
Lead singer of Fairport Convention for a short time and produced solo work as well. She formed the group Fotheringay (1970) and released one album (Fotheringay). Fotheringay Castle was where Richard III was born (1452) & where Mary Queen of Scots was tried and executed (1587). Sandy was given the accolade “Britain’s finest female singer/songwriter” by three publications at the time. She was voted “Britain’s No.1 Singer” for two consecutive years in the music paper Melody Maker’s readers’ poll.
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Amongst others, wrote the song Who Knows Where The Time Goes? (Have a listen on YouTube). And I suppose we all echo that as we look back. Time does pass incredibly quickly. Sadly for Sandy and her fans she died aged just 31 in 1978. One newspaper obituary referred to her as having been: “Equipped with an incredible voice and an immense songwriting talent….” For me, a great voice which stirs up the emotions.

5. MADDY PRIOR (INCL. STEELEYE SPAN & THE CARNIVAL BAND)
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A founding member (in 1969) and and lead singer of Steeleye Span. Who can forget those words: “All around my hat I will wear the green willow……..And if anyone should ask me the reason why I’m wearing it, It’s all for my true love who’s far, far away…”. It’s about a young man whose fiancée has been sentenced to 7 years transportation to Australia. He mourns his loss by wearing a green willow sprig in his hat. Excellent voice range, and a number of projects jointly with the Carnival Band have produced albums of folk versions of many of the old hymns, demonstrate how good it is. Still going strong today.
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There are of course many more (Stevie Nicks, Christine McVie, Kate Bush, Eva Cassidy, Dido, for example) I could have included but the list would never finish. You will have your own favourites and maybe mine might seem a bit old or not of interest but they’re mine and I love them! All I’d say is have a listen before you discard them. If JM & MP have survived for 40 years or more in a very fickle business they must have something special about them; likewise those whose lives were cut short but are still remembered & played today. Go on, give them a listen.