Posts Tagged ‘Royal Festival Hall’

Five voices

It’s Wednesday and time for Rambler5319 to entertain us again…

Remember LLM’s piece on “Songs that remind me of stuff”. I have those as well but I also have artists that stand out in my musical memories. They stand out because they have endured, not necessarily in terms of long life as 2 died in their early thirties, but because I still love and listen to them today.
In 1999 Yes produced an album called The Ladder and track 11 was called “Nine Voices”. I’ve decided to do five of my favourite female voices. I won’t do the biographies, there’s enough on the internet if you want to look them up but a few facts will be included. They are voices, each unique in its own way, which remind me of particular things. Any musical choice will inevitably be personal and bound to divide opinion so I don’t say these are the best five voices in the world EVER. I simply say that these voices had a great effect on me. They have touched and continue to touch my heart today. They are not in order like a top of the charts list; they are more chronological in that this is the order in which they came into my life. Ok so here we go:

1. LESLEY DUNCAN
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Probably an artist few of you will know but one who was a big part of my growing up musical history. I heard a track on the radio and bought the first album. Then I got each new one as it came out. She sang backing vocals for a number of more well-known artists (Donovan, Ringo Starr, Dusty Springfield who also sang on Lesley’s singles, Walker Brothers). If you check out the track listing for Jesus Christ Superstar on Amazon you will see her as one of a number of singers on many of the tracks. She is credited on Pink Floyd’s (1973) Dark Side Of The Moon and here is a pic of the inside of the album cover with her name in the “Backing Vocals” section (with Lesley incorrectly spelt with an ‘ie’ ending rather than the ‘ey’ which she herself used):

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She appears on Elton John’s 3rd album (1970) Tumbleweed Connection. She plays acoustic guitar in a duet with him on her self-penned song, Love Song (Side 2, Track 2). It’s the only non Bernie Taupin/Elton song on the album. She appeared with him in 1974 at The Royal Festival Hall to perform it. According to the Guardian newspaper, it was covered by more than 150 artists (including Olivia Newton-John, David Bowie and Barry White)! It’s worth checking out the lyrics to Love Song. (Also on YouTube.) Elton played piano on Lesley’s first album Sing Children Sing in 1971. Unfortunately she made only the 5 albums you can see in the picture but her voice was very special for me. She died fairly recently, on the Isle of Mull, (her home since 1996), in March 2010 aged 66. The Guardian, in its obituary, said this:
“Her songs had an astonishing emotional depth and her voice a rare combination of warmth and clarity, bringing an intimacy to the experience of listening to her records. For those who discovered her music in the early 1970s, she stood out from all the other pop and rock of the era.” (March 23, 2010).

2. KAREN CARPENTER
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Interesting the group was called “Carpenters”: there is no “The” in the official name. Karen was initially a drummer in the duo with her brother Richard on piano. She was quite happy to play the drums and sing whilst doing it. She didn’t want to be “out front” but folks wanted more of her – her voice: a contralto voice that spanned 3 octaves. She was forced to reconsider. Eventually she played the drums less and less. I’ve got just the one album of Greatest Hits but what a voice. She was noted for her low range and Richard would adapt songs (& covers) to fit it. Just listen to the way she can hold the notes she sings. Out of the 5 here hers has to be the purest voice and who can fail to be moved by some of those famous songs: Yesterday Once More, Hurting Each Other, Close to You and the ubiquitous We’ve Only Just Begun played at so many weddings around the world. Died a month short of her 33rd birthday from anorexia. Very sad.

3. JONI MITCHELL
I suppose she is remembered, by most people, for her single Big Yellow Taxi (1970) and the rather silly laugh at the end of the song. However, over the last 44 years, she has produced many albums. My collection, of just some of them, is in the pic below:
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Hers is a voice that has sung in many different styles with a uniqueness that no-one has come close to imitating. Some of Kate Bush’s songs do give a feel of her style. Joni has ploughed her own furrow not allowing people to be able to pigeon-hole her and constantly changing. Once again a voice I heard and bought one album and then began to add to as the years went by. A very unusual voice and variety of singing styles and unusual cadences make her one of my top five voices.

4. SANDY DENNY
Lead singer of Fairport Convention for a short time and produced solo work as well. She formed the group Fotheringay (1970) and released one album (Fotheringay). Fotheringay Castle was where Richard III was born (1452) & where Mary Queen of Scots was tried and executed (1587). Sandy was given the accolade “Britain’s finest female singer/songwriter” by three publications at the time. She was voted “Britain’s No.1 Singer” for two consecutive years in the music paper Melody Maker’s readers’ poll.
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Amongst others, wrote the song Who Knows Where The Time Goes? (Have a listen on YouTube). And I suppose we all echo that as we look back. Time does pass incredibly quickly. Sadly for Sandy and her fans she died aged just 31 in 1978. One newspaper obituary referred to her as having been: “Equipped with an incredible voice and an immense songwriting talent….” For me, a great voice which stirs up the emotions.

5. MADDY PRIOR (INCL. STEELEYE SPAN & THE CARNIVAL BAND)
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A founding member (in 1969) and and lead singer of Steeleye Span. Who can forget those words: “All around my hat I will wear the green willow……..And if anyone should ask me the reason why I’m wearing it, It’s all for my true love who’s far, far away…”. It’s about a young man whose fiancée has been sentenced to 7 years transportation to Australia. He mourns his loss by wearing a green willow sprig in his hat. Excellent voice range, and a number of projects jointly with the Carnival Band have produced albums of folk versions of many of the old hymns, demonstrate how good it is. Still going strong today.
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There are of course many more (Stevie Nicks, Christine McVie, Kate Bush, Eva Cassidy, Dido, for example) I could have included but the list would never finish. You will have your own favourites and maybe mine might seem a bit old or not of interest but they’re mine and I love them! All I’d say is have a listen before you discard them. If JM & MP have survived for 40 years or more in a very fickle business they must have something special about them; likewise those whose lives were cut short but are still remembered & played today. Go on, give them a listen.

Quick one

There has been a work related emergency so I don’t have time to write a proper post. So I will just tell you quickly about something I did recently.

A friend gave me tickets to a CocoRosie gig he couldn’t go to at the Royal Festival Hall….

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It was so good and the seats were right at the front. There was a guy beatboxing and he was phenomenal.

After the gig, I went on a ridiculously high chairoplane. It was 67 metres high!

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Fabulous views over the Thames and of the London Eye. I was totally up for it when I saw it. It looked like great fun! We were going up and up and I was loving it! Unexpectedly, when it reached the top, I froze. I just held onto the seat very tightly and stayed very still.

Wierd. I’ve skydived, bungee jumped, etc etc. Heights don’t bother me. So I don’t know what happened there.

Anyway, that’s what I did the other night.

Told you it’d be brief.

Embracing London

A few days ago, if you remember, I said I was off to see a maze made out of books. So, on Tuesday, I set out on my mission. I also wanted to see an exhibition about the Olympics, a world arts and music exhibition, an underground pavilion and there was a walk around Hyde Park which looked good.

Off I went, London 2012 app at the ready, to have my day of fun. The info about the aMAZEme exhibition said it started at 8am. It was about 9.20am by the time I got to the Southbank Centre. For some reason, it has never occured to me to think which bit exactly was the Southbank Centre. I just thought it was the bit which was lit up different colours in the evening. But I was always seeing that from the other side of the river. So as I approached the buildings in that area, I thought something would become clear, a sign or something. I walked in.. and around… and up stairs… and down ramps… and took this photo of a massive baobob tree, whilst trying to work out which exact building was the right one.

It is made using material from all over the world as part of the Festival of the World exhibition

It was shortly after stalling for time taking these photos that I found an information board about the Southbank Centre. It turns out, it’s all of the buildings I was circling blindly. It’s not one building with a big sign on. Embarrassingly enough, I should know that. I’m really familiar with this area. My law school is a stone’s throw from here. O well. I worked out that I needed the Royal Festival Hall and made my way there.

It was now a little after 9.30am. So why were all the doors closed? You know when a building doesn’t look like it wants you to enter? That’s what this one looked like. But my faithful London 2012 app said it started at 8am, so there must be a door open somewhere. There must be. THE APP SAID IT! THE APP CAN’T BE WRONG! The app wouldn’t let me down… would it?

I saw a door to a cafe inside the building open because the chairs and tables were being brought outside. I made my way there and saw a security guard. When I asked him how to get inside he said, ‘The building doesn’t open until 10am.’

What?! Bewildered, I produced my trusty app and showed him. ‘But it says! It says here! On my London 2012 app! It says it will start at 8am….’

‘That must be wrong, we definitely don’t open til 10am. Sorry.’

O, London 2012 app. Our relationship, which has been one of much excitement and adoration, has suddenly hit rocky ground. I shall not speak to you for a short while.

So I had a dilemma. Stick around and wait for half an hour to see this, or skip to the next thing and then come back later? I had too much to cram into one day to be hanging around at the confusing Southbank Centre.

I left and crossed the Hungerford bridge over the Thames, heading toward Covent Garden. I love the shops in Covent Garden but I know what I’m like on a day out. I get that holiday mentality on. ‘O! You’re only on holiday once! Just buy it! Don’t worry about money on holiday!’ For this reason, I’m reluctant to let myself too near large shopping malls or markets on a day out. I passed through the main square and headed for the Royal Opera House at the opposite end. Here, my (untrustworthy) app told me, was an exhibition called The Olympic Journey, about the history of the Olympics.

I was ushered up a ramp and told by a young woman in a white cardy and a strange white-to-green faded skirt (I tried, and failed, to work out how it fitted with the Olympics) that her name was Laura (snap!) and she was going to take us on an Olympic Journey.

‘Great!’ I thought. ‘There’ll be so much cool Olympic stuff in here that I can take pics of, to show everyone on the blog, they’ll love a bit of that.’ You see? I’m always thinking about you, about how to keep you entertained. Just call me Selfless Laura.

Anyway, up the ramp I go, camera at the ready. Before the curtain is swept back to let everyone in, Laura Of The Strange Skirt says, ‘Just to remind everyone, there’s no photography allowed inside and no touching of the artefacts.’ FAIL! Big fat Olympic exhibition fail. Never mind.

I got a little booklet about afterwards with the stuff in, but it’s not the same, so I’ll just tell you the best bits. When we first entered, they had made a Greece room, in essence. There were olive trees and loads of info about how and when the games started. The most interesting fact I discovered in this bit was that the Greek word for naked is ‘gymnos,’ which is where the words ‘gymnastics’ and ‘gymnasium’ come from. This is because the competitors used to all be naked when the Olympics first started! Something about showing the unity between the body and the surrounding environment, or something.

Immediately my mind got to work. Imagine! Just imagine you’re there, on your chariot, ready to compete in the pentathlon or whatever, and your chariot falls apart or you get dragged off and hit the ground, naked. You’d be torn to pieces! After I imagined gruesome naked deaths and embarrassing naked wrestling, we were ushered into the next room, about how it came back to life in the late 1800s.

Pierre Coubotin started them up again because loads of countries had already been captivated by this idea of a sports competition like the Greeks had. He mobilised them all to have a worldwide one and it’s been going ever since.

There was a room which had one of all the torches that had been used. The Sydney one was quite cool, all new-agey. I liked the Rome one too and the Beijing one was pretty. Interesting fact from this room was that the idea to have a flame on the torch was first used in the Berlin games. Hitler came up with it! Presumably before then, the torch was just being carried along, as a symbolic thing. I also didn’t realise that when they held the games in Sydney, they used some amazing new technology flare thing, to swim the flame underwater to Australia!

In the last room there was a copy of a gold, silver and bronze medal from each of the games. The London 2012 ones look massive in comparison and, to be honest, like they’re made of plastic! Of course they’re the colours of gold etc, but because they’re quite big, they almost look like children’s toys.

In the same room were stories of 16 Olympians. I loved the story about the Ethiopian marathon runner, Abebe Bikila. Adidas were sponsoring the event and provided shoes for all the runners, but Abebe couldn’t find a pair to fit, so he ran barefoot, and won! They had a video of him running barefoot, way ahead of all the other runners. Amazing.

After this onslaught of amazingness, it was time to head back to the site of my earlier disappointment to find the book maze. As I entered the Royal Festival Hall, it was in a room to my right, which is completely open, down a few stairs. I feel like it suffered a bit due to this, because I entered from above it and could easily see the way to get to the middle and that it wasn’t as massive as I had initially thought it would be.

Look a bit more like a book sale than a book maze

Because the first layer of books was a waist height, it wasn’t really a maze, because I just looked where the path went. As I got further back, though, the walls got higher.

Once I had gone around this one bend, though, it took another ten seconds or so to get to the middle. While it was fun to be surrounded by so many books, the ‘maze’ part took me all of one minute to work out. I revelled in being around so many books and hung around for a bit longer, looking at them. There was a section of the low part, where a load of Braille books had been left open and there was someone reading them, which was quite a lovely thing to watch.

I headed to the Festival of the World exhibition next, just down some stairs from the book maze. The exhibition was all about educational innovations that have spread around the world and the result of some were on display. There was artwork from an amazing South American woman who lived on a rubbish heap in a slum but had used the plastic bottles to make artwork.

There was music from a Cuban orchestra, which I sat and listened to for a while. Then I came to a room which just had a photo booth in. It asked me to put 20p in and get my passport photos done, to become a citizen of the world! Yes, please! This sounded fun. I got my photos done, cut out the best one and walked into the next room, where someone handed me a blue Antarctica passport, someone else glued my photo in and I filled in my details and got a country stamp for Antarctica.

This is because they have open borders, so anyone can choose to become a citizen of Antarctica, if they choose! So I did. Quite exciting.

After this I headed back to Waterloo station and got the tube to Kensington, to the Serpentine Gallery in Hyde Park. On the way to the park, I happened upon this fantastic free exhibition for the Travel Photograph of the Year, located in the main hall and gardens of the Royal Geographic Society.

When I got to the underground pavilion outside the Serpentine Gallery, it wasn’t what I was expecting. In fact, I’m not sure I knew what to expect. On the top was a large round plate thing, which had water in it, and underneath was a series of steps and stools and blocks, all made out of cork, where people were sitting and relaxing, chatting with friends. It seemed like a nice chill-out place but I didn’t stop because I had seen something near the gallery itself.

There is an exhibition by Yoko Ono and one of the things she had outside was a wish tree. I love reading these! Here are a few of my favourites from this one:

I wish I had more than one cat.

I wish someone else’s wish comes true (I don’t really need anything) x

I wish for a nice job, a nice place to live and a nice boyfriend.

I wish I was a superhero like Spiderman so I could shoot webs.

I wish you were on me.

I wish for no distance between us. I wish to be the girl of your dreams.

I wish life was not that hard.

I wish that I could have chocolate every day. Joe, 5 years.

I wish that Lego keep making good sets 🙂

07912413886. Call me and make me wish come true. Jordan x

I wish I had a pigg.

So after looking at the wish tree for ages, I remembered seeing something when I came in the gates of Hyde Park, so I went back that way and found the Africa Village. Exciting! I headed in, ready for an onslaught of Africa-ness and nostalgia. There were stands with each country’s name on. I set about finding the Namibia stand, to go and pretend I’m fluent in Afrikaans and see if they had any Namibia stuff I could take away with me. Some stands had food or little souvenirs. I looked… And I looked… And I looked. There was no Namibia stand! I searched around but it wasn’t that big so after a few minutes I realised there mustn’t be one, and left the village a bit disappointed.

At this point I thought about setting off on my historic walk around Kensington and was wondering whether my legs were maybe too tired for that. I’d been on my feet for a long time by this point. And that’s when I saw it….. The sign for Whole Foods…

Holiday head kicked in and I abandoned my proposed walk around the area, for a walk around Whole Foods. I grabbed a trolley (I should have known better!) and started putting one of everything in. Do I really need Malaysian chicken skewers?! Of course! And a swordfish steak? Seriously now! A swordfish steak? Don’t be ridiculous. O, but it’s holiday, just get it! Live a little. In went the swordfish steak. And the raw chocolate and goji berry bar. And the handcrafted smoked haddock fish cake. And the sundried tomatoes from the mountains of Italy. And the gently steamed spinach with shallots and garlic. Ridiculous.

After this, I slumped to the tube station in shame, stuffing my face with a chicken samosa and a roasted vegetable wrap, washed down with a swig of pure Fijian rainwater, gathered at dusk by dragonflies or something just as ridiculous, and felt equal measures of shame and smugness.

And in this way, my epic day of embracing London was ended.

 

P.S. The app and I are now friends again.